give me a daisy

~ ~ ~ ~ read ~ write ~ look ~ listen ~ create

Archive for the category “Writing”

paradise?

This is another gorgeous animation short, mixed media this time, by Ishu Patel, titled “Paradise.” The music is by Zamfir.

When I saw it, it reminded me of the creation story I wrote over a dozen years ago for a mythology class, very loosely based on Buddhism and quantum physics’ theory of the unified field.

the yearning of desire

In the beginning, All was One, and the One was nameless and without form. Within the One existed All Things. But there were no distinctions within the One; no thing was separate from any other thing. Although countless aeons passed, there was no experience within the One of the passage of time. Gradually, from within the center of the One, arose the beginning of Desire. At first Desire was like a small bubble rising to the surface of a perfectly still lake. At first Desire was only the softest whisper of the wind. Desire wanted to give form to the formless and to name the nameless. Desire yearned for forms to touch and to surrender to.

More aeons passed, and Desire continued to grow within the One. Desire pulsed within the center of the One, louder and stronger, and the pulsing of Desire gave form to Spirit, that which inhabits all and everything. Spirit allowed himself to be inspired by Desire and to contemplate all the possibilities that form could take. Spirit saw that formlessness needed form, just as form needs formlessness. Spirit saw that formlessness needed form to complete itself. Spirit then dreamed the dream of the universe taking form, from its beginning to its end, which was not really an end but only a return to formlessness. As Spirit dreamed the dream of creation, Desire allowed herself to be infused with Spirit, and as she did, she took the shape of a large, graceful bird, covered in the palest of green iridescent feathers. Spirit was the air that she breathed.

Spirit longed for the forms that he had dreamed of. And Spirit longed to be inhaled by Desire, just as Desire longed to breathe Spirit. With each inhalation of Spirit, Desire flapped her pale wings. As the flapping of her wings increased, the colors of her feathers deepened into verdigris and copper, turquoise and silver, aqua and gold. She spread her wings and flew in a wide, lazy arc, and she sang the purest, most exquisite songs, whose haunting echoes trailed behind her. She coasted on the currents of air that were Spirit.

As Desire breathed in more of Spirit, she too began to visualize the forms that Spirit had dreamed of. As her yearning increased, so did the flapping of her wings. Her tail feathers grew longer and their color changed from pale green to deep red. She swooped and glided through Spirit, inhaling more and more of his visions. The feathers of her body turned crimson and saffron. Desire felt something growing inside her, in the same place where her yearning had first begun its delicate pulsing so many aeons ago. She flapped her wings again and soared upward. An indigo band formed around her neck. Her singing became louder, more rhythmic, and more intense. It filled the entire universe with its insistent, rapturous vibrations. Spirit was enthralled by the songs of Desire and continued to fill her with the countless forms he had dreamed of.

Desire was full of a longing so powerful that she thought it could never be filled. The feathers of her head changed to amethyst and violet, and a royal purple crest took shape along the top and back. She opened her mouth to cry out but no sounds of any kind emerged, neither cry nor song. Instead, when she opened her mouth the countless forms of the universe began to spill out into the air, into Spirit. Each time she opened her mouth more forms issued forth until everything that Spirit dreamed had been given its form. Spirit was satisfied because he was everywhere, inhabiting all of the forms of the universe. But Desire, without whom no form could exist, could not touch them, could not fully satisfy her yearning. It is the nature of Desire to remain unfulfilled. And we, too, who were given birth through Desire, know that no matter what we have, something is always missing. Though Spirit fills us and gives us joy, there is a place in our hearts that it cannot touch. Desire is the permanent longing in our hearts for home, for the One, for formlessness.

The kindness of strangers

Kindness

Kindness (Photo credit: -RejiK)

We expect kindness from our friends and family, whether or not we always receive it. And if we aren’t always kind to those same friends and family members, we usually have the good sense to feel guilty. Kindness doesn’t cost a lot to give, but the cost for its absence can be very high. Anyone who’s paying any attention can see that, as a species, we are not particularly kind. We divide ourselves into tribes—family, neighborhood, background, nationality, race, religion, region, age, personal interest, political affiliation, and on and on—and all too easily dismiss or revile those who are not in one of our tribes.

Whoever you are, I have always depended on the kindness of strangers.

–Blanch DuBois, A Streetcar Named Desire, Tennessee Williams

Last week, I came across a Ted Talk by Hannah Brencher who has started a movement to be kind to strangers that is spreading all over the globe. The idea came to her when she hit a very low point in her life living in New York City after graduating from college. To help herself break out of her own depression, she wrote anonymous love letters—dozens of them—and left them all over the city for strangers to find.

And now The World Needs More Love Letters coordinates the exchange of love letters between strangers all over the world. You can sign up to be notified to write a letter once a month—or to request a letter for someone you know. You can read the stories of some of the strangers who have found love letters in cafes, on college campuses, taped to their vehicles, or stuck inside the pages of library books.

If you wrote a love letter to someone whose face you wouldn’t see when they read it, who wouldn’t know it was you who had sent it, and who would never be able to tell you how it affected them—would you still do it?

I have never been a big fan of Christmas and the insanity leading up to it. And I know that the holidays can be a depressing time for lots of people. So this year, I’m going to write a love letter to a stranger each day during the month of December and put it where someone will be sure to find it. Maybe someone with whom I’d disagree politically. Maybe someone whose religious beliefs would offend me. Maybe someone I’d never want to hang out with. But still, a member of my species.

Thank you, Hannah, for your kindness to so many strangers. What a wonderful way to make a difference!

brown haired girl (a short story)

Memory is incomplete experience.
— J. Krishnamurti

A pleasurable warmth coursed through me from chest to belly and all the way down my legs to my toes. I’d been dreaming something good. The details had all vanished leaving behind this vapor trail of contentment. I’d read that if you keep your body in the same position after waking up your dream might come back to you. I tried feigning sleep, but Delilah batted at my nose with the tips of her claws to let me know she meant business. I took her paw in my hand and stroked her soft fur with my thumb. “Good kitty,” I whispered. Not about to settle for sweet talk, she yanked her paw from my grasp and let out a piercing meow. No question who was in charge here.

I opened my eyes to confront her steely green orbs less than three inches from my face. “All right, baby. Time to rise and shine. Or rise, anyway.” As soon as I pushed the quilted purple coverlet aside, Delilah jumped down from the bed and pranced out of the room, her black and white tail pointed skyward. I pushed my feet into slippers, wincing at the sight of my varicose veins. I used to have great legs, a hiker’s legs, strong and smooth and muscular; they had carried me up the sides of more than a few mountains back when. Now they looked and felt like they belonged to someone else, less like legs than sticks of wood.

Delilah called impatiently from the kitchen, so I stood up and ordered my feet to get moving. As I passed through the doorway, the memory flooded me so abruptly and with such Technicolor clarity I reached for the wall to steady myself.

Sam and I are in his green VW bug, heading out of town on the last weekend of October. We have food: yellow Delicious apples, cheese, and bread brought by me; wine, dark chocolate truffles—my favorite—and the ever-present red plaid thermos of black coffee brought by him. The sky is amazingly, brilliantly blue, with fairytale puffs of pure white clouds scudding across. The air feels crisp and clean, as if rain-washed.

We pass the bait shop with its signs hand-lettered on the windows in blue and white paint offering live bait, boat repair, fishing licenses, and cold drinks. Half a dozen teenaged boys in ripped jeans and Rolling Stones T-shirts are hanging around the entrance to the Mom and Pop store next door, smoking and shoving each other around, trying to kill some of the time they might someday wish they could get back. On the other side of the road, sandwiched between a couple of shabby used car dealerships, there’s the no-name café with its rectangular sign atop a tall pole towering over everything in the area and sporting a single word: “Eat.” A battered gray pick-up, probably belonging to the owner, is the only vehicle parked in the gravel lot. Sam and I keep threatening to go inside and order something to find out whether the food is edible and if the place has an actual name.

Sam says, “Hey, Annie,” in that fake casual tone of his, “could you root out one of those truffles for me?”

I stare at the round glasses resting on the bridge of his freckled nose, at his sculpted cheekbones and thatch of auburn hair. He looks sort of like an Irish John Lennon. “Ha, ha,” I say, not giving him the satisfaction of a smile. “How long were you saving that one up? Did you bring those truffles just so you could get off a one-liner?”

Sam grins. He runs his fingers through my hair, which falls around my shoulders in heavy brown waves. My chest constricts.

“I brought them because I love watching you eat them. You look like you’re about to have an orgasm.”

I hate having him see how embarrassed this makes me. I’m 19, but Sam is 21, and he seems much older and more experienced. I tell him to pay attention to the road, but he laughs and starts singing can’t take my eyes off of you…you’re just too good to be true…

As Delilah’s meows approached the level of caterwauling, I proceeded toward the kitchen humming the song since I couldn’t remember the rest of the words. Delilah made small circles in front of the door, the feline equivalent of pacing.

“OK, OK. You know I’m not as fast as I used to be. Someday you’ll be old and stiff, too. See how you like it when it happens to you.” I reached down to scratch the top of her head, but she gave me a dirty look and leaned away. I held open the door to the backyard, and she stepped out primly onto the top concrete step, surveying her territory before scampering into the yard. She was damn nimble for a 13-year-old cat. If you converted her age to human years, she was older than me, and frankly I was jealous of her agility.

I followed her down the steps and felt the sun on my bare arms. It was warm, but not yet hot, and the sky was cloudless. We needed rain, but I—and my bones—loved these dry, sunny days best. Delilah sniffed around the fence skirting the flowerbed, checking for traces of nighttime visitors. The lawn was green, thanks to the sprinkler system my son-in-law had installed, and all my flowers were blooming: the marigolds and zinnias, as well as the pink Queen Elizabeth roses and the sunflowers. I’d have to come out later with a bowl to pick some raspberries; the bushes bordering the fence were lush with fat red jewels.

Back in the kitchen, I heated water in the kettle, tossed some ground coffee into a brown paper cone, and bent close to inhale the scent. I’m still a coffee addict; it’s an old habit, one I picked up from Sam, actually.

He turns onto a dirt road taking us deep into the Michigan woods. We’re both quiet now, partly because of the quiet outside, but more, I think, because the trees have stunned us into silence. The leaves are so intensely gaudy with their red/gold and burnt orange colors that when the breeze ruffles them and sends handfuls whirling through the air, the countryside looks like it’s going up in flames. But you can tell fall is coming to an end. By next weekend, or the one after, most of the leaves will be gone, leaving the branches winter-bare.

Sam pulls off the road near a picnic table. We’ve never encountered anyone else here, so we think of it as our private retreat. I relax against the seat and breathe everything in. The air smells of decaying leaves and distant smoke. I know I will never forget this smell. Sam puts his arm around me, pulling me against him. His jacket brushes my cheek and my hair falls in front of my face. I brush it away and he kisses me long and hard, with his eyes open, staring into mine.

“Want a truffle?” he says, and we both crack up.

I slap at him lightly and push him away. “Maybe later.” I raise my eyebrows and attempt a suggestive look before digging into my pocket for a rubber band so I can pull my hair back into a ponytail. We get out of the car and head for the lake about a quarter of a mile away.

The sound of a train whistle made me shiver, but it was only the tea kettle. I turned off the heat and poured boiling water over the grounds. While the coffee brewed, I went to my bedroom to get dressed. These days I avoided looking at myself if I didn’t have to, but now I stood in front of the mirror as I slipped out of my nightgown, let it fall on the floor, and stepped into a worn pair of size eight jeans. Although I hate bras I usually succumbed to convention, but this morning I said the heck with it and pulled a T-shirt over my bare breasts. My nipples poked against the thin yellow cotton. I combed my fingers through my hair, which is thinner and gray now, but still comes down past my shoulders and still has some wave in it. I reached into my pocket for one of those coated hair bands that go on and off so much easier than plain rubber bands do.

Sam and I hike to the lake and take the trail up into the hills. As we climb, we talk about all the places we’re going to hike next year in different parts of Michigan, maybe the Upper Peninsula, and in other states later on, when we’re both finished with school. He wants to try Colorado; I’m dreaming of New England. We intend to travel a lot once we can afford it, so we spend a lot of time pouring over guidebooks for India and Greece and Spain, planning elaborate fantasy hikes.

When we get back to the car, we transfer everything from the back seat over to the picnic table and spread it out on top of a brown and white checked cloth. I grab an apple, sit down, and swing my legs over the seat of the picnic table. When I bite into the apple I spray juice everywhere.

Sam laughs and sticks his hand out. “Hey, be careful with that thing. It appears to be loaded.”

I make a face at him and laugh, too, trying not to choke or spit out apple bits. Sam cuts hunks of bread and slices of Swiss cheese and arranges them on paper plates while I unwrap the box of truffles, trying not to drool all over them. He opens the wine bottle with his Swiss Army knife. It’s inexpensive Cabernet, but at least it isn’t screw-top. He fills two paper cups halfway and hands one to me. I switch the apple to my other hand, wipe my palm on my jeans, and take the cup from him

“To us,” he says, winking and giving me a crooked, sexy smile.

My heart is so full I can hardly stand it. “To us,” I whisper back. Our toast feels ceremonial, like we’re making a do-or-die promise to each other, a vow, serious and holy. The forest, too, seems alert to the subtle change in atmosphere. And me, I’m wide open and ready, on the brink of the rest of my life, my beautiful life with Sam, who is strong and smart and funny and everything I will ever want or need.

Three sharp raps at the back door preceded the sound of Sandra’s voice. “Mom? You in here?”

“Coming!” I headed back to the kitchen where I found Delilah winding herself around Sandra’s legs. “You,” I said to the cat. “Back so soon?”

Sandra glanced at my chest before looking me in the eye. “I was on my way home from swimming and thought I’d stop by.”

“How nice. Would you like some coffee?” I lifted the plastic cone and offered her the mug of brewed coffee, but she shook her head.

“Not yours. I’ll fix my own.” She set her purse on the counter and carried the tea kettle to the sink to refill it. “Have you eaten breakfast?”

Sandra had recently taken to stopping by unannounced either to nag me or to see if I’m showing signs of losing my marbles, I’m not sure which.

“Nope.” I took a sip of black coffee, sighing as the caffeine kicked in. “Not hungry yet.”

“Mom, you should eat something in the morning. Even if it’s just toast.”

“You’re right. I’ll pick some raspberries in a minute. You can take some home with you for the kids.” I pulled out a chair and sat down at the oak table, watching my dark-haired older daughter carefully measure coffee into a fresh paper cone. She took after Philip, her father; practical people, both were neat, cautious, and meticulous, always busy-busy-busy, darting about, weaving their webs of safety and security around themselves and everyone close to them. Time and repetition had worn down my resistance to their ministrations.

Resting my elbows on the table, I gazed out the kitchen window past the cloud of peonies blooming against the fence on this side of the yard, toward the pastel haze of the eastern mountains. Sam. I hadn’t let myself think of him in years, allowing those memories to fade as the color of my hair has faded, to grow as brittle as my old bones. But what harm was there in indulging myself now, after all this time?

“You know what would go great with this coffee?” I said. “One of those dark chocolate truffles. With an Amaretto center. No, not Amaretto. Gran Marnier.” I could almost taste it. “Doesn’t that sound absolutely…um, really good?” I’d almost said “orgasmic.”

My daughter whirled around to face me. “What are you talking about? Mom, you’re not eating candy for breakfast, are you?”

I could just hear Sandra’s outraged report to her sister, Christine: “She’s eating chocolates for breakfast. Chocolates filled with liquor!” Chris would correct her: “It’s not liquor; it’s liqueur”—completely missing Sandra’s point and making a distinction that would be lost on her sister.

I stared into the dark steaming mug on the table and felt my lips twist into the smile of my younger self, slim-hipped and strong-legged; a little shy, but game, and impatient for the adventure to unfold. I had been so confident in Sam’s and my love, so certain of what the future held. There was so much I hadn’t known, so many things I couldn’t possibly have foreseen.

The cat curled up next to my bare feet purring, reminding me of who I was here and now—and where. But when I closed my eyes, the spirit of that eager young girl slipped into me, transporting me back to Michigan on a late-fall day amid flaming leaves and hushed, crystal-clear air, where I was poised—or maybe not exactly poised, but there—on the brink, with my whole life, for better and worse, still all out in front of me.

Maybe that girl would have been as scandalized as Sandra was at the idea of eating chocolate truffles for breakfast. But she would have been willing to do it. At least once.

short story envy

Not only is November National Novel Writing Month (NaNoWriMo) and Poem A Day (PAD) month, this week (12th to 18th) in November happens to be National Short Story Week (no acronym) in the UK. But since the internet is a global village, we can all partake in the celebration.

The short story — how modest in bearing! How unassuming in manner! It sits there quietly, eyes lowered, almost as if trying not to be noticed. And if it should somehow attract your attention, it says quickly, in a brave little self-deprecating voice alive to all the possibilities of disappointment: “I’m not a novel, you know. Not even a short one. If that’s what you’re looking for, you don’t want me.”

Steven Millhauser, The Ambition of the Short Story, New York Times 10/03/08

I really envy people who are able to write good short stories. I’ve tried my hand at writing them several times over the years (or, ahem, decades), but it’s just not something I’m good at. So I generally stick to reading them.*

Some of my favorite sources for short stories are:

Glimmer Train

I’ve been a big fan of Glimmer Train for years. They publish a quarterly short story magazine that is probably the one subscription I wouldn’t give up no matter what. For writers, they also publish Writers Ask, a 16-page quarterly full of info and interviews with published writers. And you can sign up for their online newsletter. I subscribe to everything!

Narrative Magazine

Narrative also has print and online publications. The website publishes fiction, poetry, nonfiction, and interviews. Most are free. Lots of good quality material. Sign up to receive notifications via email.

One Story

One Story mails a single short story to subscribers “about every three weeks.” The magazine is pocket sized so you can carry it around with you. I have taken issues of One Story to the dentist’s office, the eye clinic, and to Jiffy Lube. Occasionally there’s one that doesn’t appeal to me. But the overall quality is excellent.

Tin House

Tin House is a high-quality literary quarterly that publishes all kinds of stuff: fiction, nonfiction, poetry, book reviews, etc. They also publish books and hold writers workshops in the summer.

I also like the short stories published in The New Yorker.

And Daily Lit, which I just got started with, has 122 short stories among its offerings. I subscribed to receive the story Hell-Heaven by Jhumpa Lahiri in 10 installments via email.

What are your favorite sources for short stories?

*However, just so you’re warned, I plan to post one of my few completed short stories next time.

don’t you want to be Maria Popova?

Maria Popova

How about Curator of Interestingness, then? So cool! And I’m a little jealous. Even if Popova made up the title and gave it to herself, take a look through her website (Brain Pickings) and I think you’ll agree the title is pretty accurate. It’s a website you can get lost in, full of all kinds of interesting (of course) and creativity related information, material, and links.

My favorite part of Brain Pickings so far is literary jukebox, which features a “quote from a favorite book, thematically matched with a song.” Some of the quotes are long; others are quite short. I like the pairing of this short quote about change from Henry Miller with the song “Change is Hard,” by She and Him.

You can sign up to receive Brain Pickings’ free weekly newsletter. One recent issue features an article about why writers write, composed of excerpts from an essay by Joy Williams. Nicely timed with National Novel Writing Month. The current issue includes a piece titled What Will Survive of Us Is Love: Helen Dunmore’s 9 Rules of Writing. Rule No. 1: Finish the day’s writing when you still want to continue.

Popova was named one of the top 100 creative people in business in 2012 by Fast Company. She also writes for Wired UK, The Atlantic, and several other publications and edits Explore, “a discovery engine for meaningful knowledge, fueled by cross-disciplinary curiosity.”

The Brain Pickings and Explore websites each have an entirely different look and feel, but both are appealing and very nicely designed.

Sadly, although I would love to be Maria Popova and to have invented a career as Curator of Interestingness, I would not love to take on her daily work schedule, which is a real bear. So I’ll continue stumbling around in the world of interestingness, keep tuning in to the literary jukebox, and admire Ms. Popova from afar. Or from Twitter or Facebook. Maybe both.

Who would you like to be?

On the Road…to writing 50,000 words

Jack Kerouac Reads On the Road

Jack Kerouac Reads On the Road (Photo credit: Wikipedia)

I don’t think Jack Kerouac was actually the inspiration for National Novel Writing Month. But On the Road may be the first—or at least the best-known—NaNoWriMo-type success story.

It was Kerouac’s second novel, published in 1957. But by the time he began writing the book in 1951, he had already developed the habit of setting a daily word count for himself. He wrote the first draft of On the Road in three weeks (not in November, but in April).

The man was his own intellectual personal trainer, standing over himself with a shrill whistle as he ground out the paragraphs, pored through Dostoyevsky, analyzed ”Hamlet” line by line and typed up his novel’s 1,100 page manuscript. To quantify his progress in this last task, Kerouac devised a numerical ”batting average” that he recalculated as he went. ”Did 17 pages, batting .329….”

Walter Kirn, reviewing Windblown World: The Journals of Jack Kerouac 1947-1954, in the New York Times 10/10/04

That could be viewed as either inspiring or intimidating to current NaNoWriMo novelists. But my own experience with NaNoWriMo was that standing over myself, metaphorically speaking, and relentlessly holding myself to a daily count of 1,667 words was what made me succeed at reaching the 50,000-word goal. I used an index card system to track my chapter word counts and my daily word counts. I confess to having done some light editing as I went, so I wrote my numbers in pencil and kept an eraser handy.

If you’ve put your writing self on the line by committing to write 50,000 words this year, congratulations: you’re a third of the way—and hopefully about 16,670 words—closer.

Just Do It!

Nothing behind me, everything ahead of me, as is ever so on the road.

Jack Kerouac, On the Road

word surge: can’t stop tapping those keys

English: Emma Thompson at the César awards cer...

English: Emma Thompson at the César awards ceremony. (Photo credit: Wikipedia)

Writer’s block has some upsides, believe it or not. When you have it, you’re compelled to finish all those nagging household chores, return all your phone calls, and maybe even tackle some exotic project that has been on your to-do list for the past five years. You will also find yourself on the receiving end of a great deal of empathy from other writers and from the entire industry of workshops, websites, books, and writing gurus devoted to making you productive once again. You can even watch movies about not writing, such as Stranger than Fiction, in which Queen Latifah’s character shows up to assist Emma Thompson’s character in overcoming her writer’s block so she can kill off Will Ferrell’s character. You don’t need to look quite so happy about finding a way to kill Will, Emma.

But what happens when you have the opposite of writer’s block? When you can’t tear yourself away from your computer or legal pads and your household falls apart around you? You know you need to ration your writing time, but you’re at least secretly pleased to have this dilemma to deal with. Of course, you can’t tell anyone about it. It’s like finally being able to fit into that pair of skinny jeans. No matter how much you’ve sweated to get to that point; no one wants to hear it. It just annoys everyone.

There isn’t really any support out there to speak of. If you search the internet, you’ll find the compulsion to write characterized as an impulse-control disorder called hypergraphia, which is on a par with other disorders like pyromania. Exactly how is being on fire, metaphorically, the equivalent of setting fires?

I found this list of “famous hypergraphics” in a Psychology Today article:

  • Danielle Steel
  • Edgar Allan Poe
  • Fyodor Dostoevsky
  • Sylvia Plath
  • Joyce Carol Oates
  • Stephen King
  • Isaac Asimov

I want what they’re having (well…what most of them are having).

The drive to write is also referred to, quite dramatically, as the midnight disease, which makes it sound sort of disgusting and perverted. But why view the situation in so sinister a light? If the goal of a writer is to write, shouldn’t this surge of words be cause for celebration? As long as your pets, plants, kids, and other family members are still alive, you don’t really have a problem. Right?

This is Louise Erdrich‘s Advice to Myself:

Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don’t patch the cup.
Don’t patch anything. Don’t mend. Buy safety pins.
Don’t even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.

~ ~ ~

This seems like especially good advice for everyone who’s participating in NaNoWriMo 2012–which is, by the way, a great antidote for writer’s block. Best of luck to all those who are participating this year. I hope to be back in the fold next go around.

what’s the big deal with Charles Bukowski?

The following is a guest post by Richard Ford Jones (brief bio below), a series of anecdotes drawn from his interactions with the dealers and clientele of an antique mart located in one of the oldest buildings still standing in Downtown Reno, much of which was lost to casino development. Jones works as a substitute floor person for dealers who can’t cover their required days. As with any collection of people, he says, there are personality clashes and mini-dramas galore, and cooperation is hampered by internecine squabbles. He attempts to maintain a circumspect demeanor in his dealings with the various factions.

1.

Due in part to the antique mart owners celebrating their sixth anniversary by laying out cookies, crackers, and cheese, it was a fairly busy day, and we had a few street people and assorted characters drop in. My ability to attract crazy people wherever I go remains undiminished, as all sought me out and engaged me in conversation. Per fellow workers, several are regulars who live downtown and come to the store to get out of the heat or cold and drink free coffee. They know to avoid them. I treated them all like customers, and we got along okay. One guy, a bit more together than some of them, actually thanked me for being nice to him even though I knew he couldn’t buy anything. This can be a tough town to be down and out in, considering how hard it tries to part people from their money. “I am my brother’s keeper” will never be the state motto.

2.

Early in the day, John, one of my fellow floor persons (he sells newer Oriental Art merchandise he buys from another store in the area and marks up) latched onto me and bent my ear periodically for seven hours. I just have “polite listener” written all over me, I guess. He started out by mistaking me for another dealer, a gay guy named “Duke” who sells Barbie dolls, G.I. Joes, old plastic car models, and Deco cocktail sets. There is a superficial resemblance; we’re both relatively thin (though I’ve developed a pot belly over the winter), balding, bespectacled white men in our late fifties with receding salt ‘n’ pepper crew cuts. But Duke has a thin mustache, bad skin, and is several inches shorter than I am.

I finally got John to realize he was talking to another person by pointing out that I only “looked” gay. He then went into a song and dance about how he couldn’t really see me clearly because he’d broken his glasses (he had a cheap set of drugstore readers he carried in his vest pocket). There was also some speculation on my being Duke’s evil twin, and I may have stuck myself with a new nickname.

3.

Our standout customer today was “George,” an old guy doing the full Gabby Hayes: scraggly grey beard and long grey hair, battered Stetson, frayed white canvas shirt under a black leather biker vest, grubby blue jeans several sizes too big, and beat up suede running shoes. He claimed he’d been, among other things, a miner and a hobo. We got to talking, and when the wide-ranging conversation turned to scattering ashes of your loved ones, he declared he’d scattered his sister’s ashes in a casino. I told him about scattering Pop’s ashes on the east slope of Mount Tamalpais (in Mill Valley CA). George, as it turned out, was a graduate of Tamalpais High School. “You’re the first person I met in thirty years ever mentioned that name!” He ended up buying a three dollar silk rep tie. “Sometimes I just feel like dressin’ up.”

4.

One of our regular customers, a woman who appears to be schizophrenic, is obsessed with a “fortune telling wizard” the owner’s wife has in one of her booths. The wizard is a maddening device comprised of a black box atop which is a clear glass ball. Within the ball is a cast resin figurine of a wizard garbed in peaked hat, star spangled robes, and all. It has a proximity sensor and sound generator that produces an annoying electric scale run randomly every few minutes throughout the day, and a loud electric hiss whenever anyone comes near it. When fed a quarter, it verbally intones your fortune in a few brief, clichéd words.

This customer sometimes arrives just before closing to “consult” it, and if denied access to the wizard becomes very distraught. Yesterday, she also purchased a paperback copy of the Edith Hamilton classic “The Greek Way,” which she paid for in loose change. The manger allowed her to slide on $0.68 she didn’t have. She promised to bring the money today.

5.

“Dan,” who is five feet tall if he’s an inch, looks like a cross between Professors Irwin Corey and Timothy Leary in miniature, complete with the wispy grey hair, wry squint, and toothy grin (possible false teeth.) His story is that he’s of royal blood, related on the German side to the Houses of Hanover and of Saxe-Coburg and Gotha, but enjoys being a “commoner.” Yesterday when he was in, he led me to a case where the dealer was displaying some chi-chi ladies feathered hats. He pointed to a picture of Kate Middleton, Duchess of Cambridge, and told me he was proud to see “his cousin.” And the thing is it might just be true.

Like so many of the others who come in here, he just wanted someone to talk to. Still, you have to wonder what the big deal was about Charles Bukowski; maybe it’s just that he wrote it all down.

                                                                                                     

Bemused in Casablanca (1998)

Richard Ford Jones began writing in the late 1980s, when in his early 30s. During a brief three-month period he produced six novellas and short stories, none intended for publication. He jokingly refers to these as “The Jones Canon.” He did not write anything in a literary vein again for another sixteen years.

His next spurt of creativity was from 2004 to 2008, during which he wrote four humorous genre pastiches for an annual 500-word writing contest in The North Bay Bohemian. The contests involved either building a story on an introduction (with plot elements provided by the judges) or utilizing a list of words in the body of a story.

While Jones has had no literary output for extended periods, he has for many years been a self-described “inveterate crank letter writer,” penning scores of letters to the editorial pages of the San Francisco Chronicle and the Santa Rosa Press Democrat, two Northern California newspapers, and now the Reno Gazette Journal, quite a few of which have seen print.

The many authors Jones admires and has read repeatedly include: Michail Bulgakov, Dashiell Hammett, Raymond Chandler, Paul Cain, James M. Cain, Cornell Woolrich, Robert E. Howard, Mark Twain, Daniel Defoe, Sir Arthur Conon Doyle, P.G. Wodehouse, Robert Benchley, James Thurber, S.J. Perelman, St.Clair McKelway, Stendhal (Henri Marie Beyle), Alfred Bester, Luo Guanzhong, George Borrow, Alexander Dumas, Fritz Leiber, Charles Dickens, and William Makepeace Thackeray.”

life or fiction?

Which do you choose? The question is asked by Clay Hammond, one of the characters in the movie The Words. In this story, itself a story-within-a-story-within-a-story, Hammond, played by Dennis Quaid, is the author of a novel about another author, Rory Jenson. Jenson, played by Bradley Cooper, is a struggling writer who, after a trip to Paris with his wife, accidentally comes across the find of his life: an unpublished manuscript, the quality of which far surpasses that of his own multiply rejected efforts.

At a low point in his attempt to get his writing career off the ground, Jenson decides to type the entire manuscript into his computer, just so he can feel the words and experience what it might have been like to write something that good. He has no ulterior motive in doing so. This might not seem believable to everyone in the audience, but writing out or typing passages from the works of great writers is an exercise often recommended to aspiring ones.

After some prodding from his wife, however, Jenson agrees to submit the book to a publisher who naturally falls in love with it. The book is published to great acclaim, and Jenson receives several prestigious awards. As time passes and he’s able to get one or two other novels published, Jenson begins to forget that he didn’t actually write that first book. That’s when the true author of the manuscript, referred to in Hammond’s book as “the old man,” shows up and tells Jensen his story, the story the novel is based on. The old man is played by a grizzled, down-and-out Jeremy Irons.

So Jenson faces a conundrum: what to do now? He wants to make things right, but will he?

a loose weave

There’s a lot to try to tie together here to make everything work and make sense—on the one hand—while sustaining an element of mystery on the other. But the screenwriters either didn’t have or didn’t take enough time to do a seamless job of it. [David Mitchell tackles a much more complex interweaving of multiple storylines in his 500+ page novel The Cloud Atlas. Can’t wait to see the movie version, which will be out later this year. ] As a result, The Words has a few gaps, some of which I was dimly aware of as I watched the movie; others opened up the day after. They weren’t enough to turn me against the movie, but the screenwriters could easily have fixed them. So why didn’t they?

The collective gaps were minor compared to my main problem with the movie, which is the casting of Jeremy Irons in the role of “the old man.” His acting was impeccable, but he wasn’t remotely believable as the aging version of his younger self, a role well-acted by Ben Barnes. Irons bothered me so much that I couldn’t suspend disbelief during any of his scenes. My movie-going companion had the same complaint, but it didn’t bother her to the extent it did me.

The women in The Words all necessarily played supporting roles. I thought the best of the three was Nora Arnezeder as Celia, the young Parisian wife.

Nora Arnezeder & Ben Barnes

On the plus side, it was gratifying to see a writer portrayed so accurately onscreen. That doesn’t always happen in movies about writers or writing. While there are plenty of movies about writers, there are not as many about the process of writing a particular book. Some I’ve enjoyed are Finding Neverland, Capote, and Adaptation. My all-time favorite, though, is Stranger than Fiction, which is in my permanent collection. [Stranger boasts a righteously eclectic cast: Will Ferrell, Emma Thompson, Queen Latifah, Maggie Gyllenhal, and Dustin Hoffman. If you’ve been put off by the majority of Will Ferrell’s movies, give this one a chance. Watch it for the rest of the cast, but I’ll bet Ferrell will surprise you.]

Back to the question: life or fiction? The old man chose life. What did Jenson choose? And what did Clay Hammond choose?

The Words
Brian Klugman and Lee Sternthal, directors and screenwriters
Bradley Cooper, Dennis Quaid, Jeremy Irons, Ben Barnes, Zoe Saldana, Nora Arnezeder, and Olivia Wilde

I give it an A for effort and good intentions, an A- for acting, and a C+ for overall execution.

Have you seen it? What did you think? What are your favorite movies about writers and/or the writing life?

Post Navigation